Six, The Musical and Dinner in Covent Garden

I had been hearing such good things from friends about Six The Musical so I decided to go and see it for myself. The show is on at the Vaudeville Theatre in the Strand. I paid approximately £130 for two tickets for a Saturday evening performance. We were seated in the upper circle, the seats couldn’t really have been better.

We caught the train from our local station to Charing Cross and then had a mooch around Covent Garden. Most of the shops were closed but there was still an buzzing atmosphere with , street performers such as contortionists, magicians and musicians. We went to Buns and Buns and had a steak dinner with a large glass of wine which was delicious.

The first, and only negative, thing I will say about Six is that it is unnecessarily loud, so loud in fact I did actually worry about damaging my hearing when it started. The show was written in 2017 by Cambridge University students Toby Marlow and Lucy Moss and was first performed by the university’s musical theatre group at the Edinborough Fringe Festival. Six is the tale of Henry the Eighth’s six wives, all told through song and dance. It has a similar fast-paced, high-energy vibe to Hamilton. The performers playing the wives enter the stage wearing various sexy interpretations of Tudor costume. All the musicians are women too, it is definitely a Girl Power show.

Each “wife” sings a number summarising how she met Henry and what fate befell her. Some of the tales are extremely sad. Tickets to Six would be a great gift idea for anyone studying history and I learned some facts that I hadn’t known before. Ann of Cleves was chosen by Henry after he saw a portrait of her by the German artist Hans Holbein. When Henry saw Ann in the flesh he declared she was ugly and their marriage was eventually annulled. She was luckier than Ann Boleyn and Catherine Howard though who famously lost their heads. Ann of Cleve’s musical number is very night-clubbish and there is a strong element of fun and humour throughout the whole musical. There is strobe lighting at a number of points in the show. My favourite performance was from Thao Therese Nguyen, the actress playing Anne Boleyn who somehow managed to stand out on a stage crowded with female talent.

Unusually, the show lasts for about an hour an a quarter, there is no interval. To be honest, I wish more productions were like this. I imagine the theatre loses a lot of revenue though as theatre-goers aren’t buying drinks in their bar or purchasing merchandise. We had sped through some really interesting herstory, pardon the pun, and were back home by 9.30am. A pretty perfect evening.

Thank you for reading

Samantha

A Lifetime of Lipsticks

Woolworths, Romford 1984 and teenage me is purchasing the best lipstick I will over own. Woolies own Evette brand in the colour “Mulberry Wine”. The perfect pinky brown which stayed on all day. If only I had known that it would be discontinued I would have bought all their stock with my pocket money. In the forty years since then I have been on the hunt for another colour I have liked so much.

It’s odd that I can remember the name of just about every lipstick I have ever owned. The first was Boots No 17 “Twilight Teaser”, a bluesh, iridescent mauve. I’m sure it looked terrible but it was certainly eye-catching. I wore it to a non-uniform day at school and every girl asked me what colour it was, a new experience for me as I definitely wasn’t known for my style. Another Boots No 17 favourite was the safer and very pretty “Poncho Pink”. I also loved the Miss Selfridge “Kiss and Make Up” range and wonder if Charlotte Tilbury took some of her inspiration from their lip-print embossed branding. I wore their “Iron Maiden” and “Copper Knobs” shades” around 1987. 

When I began to have some disposable income I graduated onto the more expensive brands. Estee Lauder “Spiced Cider”, a rust colour, was one I wore for years along with Lancome’s “Brun Nu” and “Rose Nu”. I went to a wedding around 1991 and actually asked one guest which lipstick she was wearing as I liked it so much and thought it may be “The One”. Clinique “Super Nectar”, I bought it the next day and it looked absolutely hideous on me.

I actually still have the lipstick I wore too my 1994 wedding, a rather daring matt red with incredible staying power, Rochas shade 56, it’s pictured below . I experimented with dark, blackberry colours at this time as well although always had to blot them so there was just the feintest stain left. My favourite which I also still have, although it smells a bit dubious after all these years, was Chanel Shade 36. I now buy Clinique’s Almost lipstick in Black Honey which is a very wearable balm-like tint.

Post Pandemic I seem to wear less make up but I don’t generally leave the house without a quick dusting of face-powder, usually Clinique, and a slick of some lip product or other. Loreal’s “Organza” is usually my go-to everyday lipstick or a tinted lip balm from Dr Paw Paw. I also love Estee Lauder’s “Pinkberry” which is the closest I can come to wearing a nude without looking totally washed out.

I never have been able to find a shade as perfect as my Woolies lipstick but perhaps it was just the thrill of being grown up enough to wear make up for the first time. I also hold fond memories of the little tins of four blushers sold by M & S around the same time but I certainly wouldn’t wear them now. Having said that. my make up choices have barely changed in all these years and perhaps it is time to change things up a little bit.

Thank you for reading,

Samantha