Film Review – Bridget Jones – Mad About The Boy

This review does contain some spoilers. Comedies aren’t really my favourite genre but it’s been a long winter and who doesn’t need a little cheering up at this time of year? I have seen the other films in the Bridget Jones franchise so it seemed a pity not to see how Bridget’s story ends in Mad About the Boy – directed by Michael Morris . It has been nine years since Bridget Jones had her baby and a catch-up is long overdue. My friend booked us tickets to go and see it at The Stag Theatre and Cinema in Sevenoaks. I have never seen the cinema so full, there was not an empty seat in the house and almost all of the film goers were women.

The film opens and we immediately learn that Bridget’s life hasn’t been all sunshine and roses, Mark, her husband was killed on a humanitarian mission to Sudan four years earler. She finds herself alone, in her Hampstead house, with her two young children, Billy and Mabel. The house itself would probably cost about five million pounds, I know because I looked on the website of the posh estate agent that I used to work for. If you don’t fancy a trip to London after watching the film I will be very surprised, there are no pickpockets or phone snatchers to be seen, just the most picturesque locations. Bridget goes on a date in Borough Market, I was there recently and it was horribly crowded but it’s conveniently empty for our heroine. Bridget is, of course, played by Rene Zellweger. Mark Darcy does still make appearances throughout if you are concerned about the lack of Colin Firth. I saw an interview where Hugh Grant said that there really wasn’t any logical place for his character, Bridget’s former love interest Daniel Cleaver, in this film but the writers found a way to include him when Bridget rushes to his side after he has a health scare. Grant really is a scene stealer and the film wouldn’t have been the same without him.

Bridget has been on her own for four years and her friends create an embarrassing Tinder profile for her. She is finally going back out into the world. Of course Hollywood can’t let people be single, even if they seem perfectly happy that way. Any single person must surely be feeling unfulfilled and therefore coaxed back into the dating world. Bridget returns to her previous job as a TV producer and hires an annoyingly perfect, but actually lovely nanny, Chloe played by Nico Parker. The film features a whole host of famous actors, Isla Fisher (who looks just like Moaning Myrtle in Harry Potter), Hugh Grant, Sally Phillips and Emma Thomson to name a few.

Bridget takes Mabel and Billy to Hampstead Heath where there’s an unfortunate tree-climbing incident. Although not really so unfortunate as she find two handsome men offering to help, Roxter, played by Leo Woodall and Mr Wallaker, the new science teacher at the children’s’ prep school, played by Chiwetel Ejiofor. Roxter is just twenty nine and Bridget is supposed to be around fifty. He thinks she is thirty five and she says yes, lets go with that. They have a fun romance but the age difference looms large. Mr Wallaker seems to appear, as if by magic, at the most embarrassing moments but he is clearly a caring soul. After pretending to be outdoorsy, Bridget accompanies him on the school expedition to the Lake District, another win for the English Tourist Board.

The school scenes did bring back some memories, the one mum who has to get a dig in about how you’re not quite as perfect as she is. The superior mother in this film has twins Atticus and Eros. She is organising hampers for the school raffle and Bridget fishes a half eaten pot of hummus out of her Mulberry bag as her contribution, we’ve all been there! There is a very touching scene at the end when Billy is singing and it really brought home the fact that I won’t have any more school concerts to attend for my own children.

Bridget’s wardrobe is pretty typical of private school mums. She has a Mulberry Bayswater bag which I am sure featured in another one of the films, cashmere cardigans, ankle boots, mini -but-not-too-mini skirts and dungarees. Personally I don’t think anyone over the age of five should be wearing dungarees unless they’re a painter and decorator. She also has a pair of straight Levi jeans which she wears for her visit to Hampstead Heath. For her dates she has pretty tea dresses, a denim jacket and an Anna Hindmarch woven bag. You could pretty much replicate her entire wardrobe with a quick order from White Stuff and Boden. Crew Clothing have this pretty teal cord mini-skirt which is a near match for Bridget’s. One thing Bridget doesn’t appear to be acquainted with is a hairbrush for some reason and she looks fairly dishevelled most of the time.

I doubt author Helen Fielding realised what a success her scatter-brained creation would be when she wrote her column in The Independent in 1995. The first book was published in 1996. Bridget Jones – Mad About the Boy is great fun, beautifully shot and very moving. Not so many laughs as the earlier films and Bridget isn’t quite so hapless which is probably just as well seeing as she is in charge of two small children. One girl sitting behind us left the cinema sobbing – you have been warned!

Thank you for reading,

Samantha

Cover Photo by Myke Simon on Unsplash

Film Review – Babygirl

This review does contain some spoilers. I went to see Babygirl at The Stag Theatre and Cinema in Sevenoaks. My daughter had already seen it and said “Mum, I can’t imagine it will be your cup of tea at all”. I went with a friend whose daughter said the film is porn, “it’s not porn” I said, “as if Nicole Kidman would appear in porn”. Well my friend’s daughter was right, it really is soft porn. The film, directed by Halina Reijn, stars Nicole Kidman as Romy, a fifty something CEO of a robotics company. Romy is married to Jacob, played by Antonio Banderas, they have two daughters. Nora, who is still a little girl and Isabel who is a teenager and in a lesbian relationship. Isabel, played by Esther McGregor, was my favourite character in the film, she was insightful and compassionate. They all live in a fabulous apartment but also have a mansion in the country for weekends and holidays.

The film opens with a filmed upside-down sex scene between Romy and Jacob. As soon as they have finished Romy scurries away from the marital bed, furtively opens her laptop computer and writhes on the carpet whilst masturbating to porn. It transpires that she has been faking it with Jacob for their entire marriage. That pretty much sets the tone of the film.

We learn that Romy is super-stressed with an upcoming deal at work. She rushes off to work leaving Jacob, a theatre director, in charge of the children’s schedules On the way to the office she encounters a dog attacking a fellow pedestrian. Terrified she retreats but the dog lunges towards her. Suddenly, a young man appears and instantly calms the dog. Romy continues into the office where her PA asks if she would like to meet this year’s crop of interns. The interns are ushered into Romy’s office and, surprise, surprise, one of them is the young man, Samuel, played by Harris Dickinson. He immediately asks an insolent question about the ethics of the business and the PA brings the introductions to a hasty close. It is clear that Samuel is confident and very bold. There is a mentoring scheme in place for the interns and Samuel informs Romy that he has chosen her for his mentor. Unaware that she was even on the list she tries to make excuses but a ten minute meeting is scheduled and this is when things begin to get… heated.

Samuel is thirty years younger than Romy but oozes self-assurance. She may be the boss at work but definitely not in the bedroom. He makes it clear that she must do what he tells her. This is where things get a little silly . Romy finds herself on all fours lapping at a saucer of milk. She is sent to stand in the corner like a naughty child. Romy attends a rave dressed in an amber silk pussy-bow blouse and immediately young girls start pawing at her, the blouse comes off. She finds Samuel in the heaving crowd with no trouble and does not seem in the least bit perturbed about being the oldest person in the room by three decades. In real life people would have been wondering whose mum had turned up to take them home.

Although the relationship is entirely consensual there is, of course, a power imbalance and if Romy thinks she can just walk away from the relationship when she chooses she is sorely mistaken. Everyone at her company seems to be capable of blackmail and she is terrified of losing her position and her family. She immerses herself in her affair but it is safe to say that there isn’t a happy ending for Samuel and Romy. However, she finally finds herself able to open up to Jacob about her desires. Disgusted and embarrassed, he tells her to get out of their home. She simply goes to their other spectacular home, the outside of which is all lit up by fairly lights as if it had been expecting her.

Romy has the same uptight air that Kidman’s characters always seem to have. She reminds me somewhat of Julie Andrews playing Mary Poppins, I think it is her toes turned out walk. She struts through the city streets in a wardrobe that could have been borrowed from any of the films/tv productions I have seen her in recently. Kidman is of course still exceptionally beautiful but in one scene Samuel describes Romy as not being girlfriend material because she looks like a mother. Of course men have relationships with women decades younger than them all the time and nobody really bats an eyelid except to predictably suggest it is transactional on the woman’s part.

There were only six of us in the cinema and most people let at an embarrassed laugh at one point or other. I was slightly surprised that Kidman, a huge star, signed up for something so explicit. Babygirl is provocative, raunchy and fairly entertaining but my daughter was right, it wasn’t really my cup of tea.

Thank you for reading,

Samantha

Cover Photo by Myke Simon on Unsplash

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Film Review – Mothers’ Instinct

This review contains spoilers. Mothers’ Instinct is a psychological thriller starring Anne Hathaway and Jessica Chastain. Set in the American suburbs of the 1960’s, Hathaway plays Celine and Chastian plays Alice. The director is Benoît Delhomme who is clearly heavily inspired by Alfred Hitchcock. Alice is styled like Hitchcock’s favourite leading lady, Tippi Hedren with her blonde hair in a french twist and her strappy sundresses. Obviously Hathaway and Chastain are both ridiculously beautiful and they are permanently dressed in ultra-feminine dresses, usually revealing unblemished shoulders and décolletage. Celine even wears six inch stilettoes to do the vacuuming.

Alice and Celine are next door neighbours and good friends, they are both stay at home “moms”, married to successful and handsome men. Alice is married to Simon, played by Anders Danielsen Lie, some sort of accounts executive, and Celine’s husband is Damian, played by Josh Charles. I found Josh Charles a little distracting because he reminds me so much of ex British Prime Minister, David Cameron. Damian is a doctor and Celine is happy to stay at home full time and look after her only child, eight year old Max. Alice and Simon also have an eight year old son, Theo, who is brilliantly played by Eamon Patrick O’Connell. Alice has aspirations to return to her career in journalism but Simon is unsupportive of this and makes some patronising suggestions that maybe she could help out at the boy’s school newspaper. We learn that Celine is unable to have any more children and that Alice has only had one child by choice, Simon would like to have more.

Mothers’ Instinct did have me hiding behind my hands at some points but then I am a lightweight when it comes to scary films. The clues are a bit heavy handed in places. My son and husband are both anaphylactic and it amazes me how potentially fatal food allergies have become such tropes in films and books. Theo is allergic to peanuts and Alice understandably lives in fear of him accidentally ingesting something containing nuts.

Everything is picture perfect in suburbia, Celine drives her gleaming car with Max and Theo, in the back seat, the three of them singing Did You Ever See a Lassie loudy in preparation for a school concert. Celine spends more time looking over her shoulder than at the road and I was sure this is when disaster would strike but no, they made it home to their huge homes without incident.

The couples do a fair bit of socialising in each others homes, decanters and canapes are always at hand and it did seem like wife-swapping may be on the cards but then a dreadful accident befalls Max and everything changes. Does Celine blame Alice for not saving Max or is that just in Alice’s imagination? I was irritated by the fact that there are four main characters and two of them have been afflicted by serious mental illness and they are both of the women. Celine’s unravelling is unnerving to say the least but how ill can she really be to be so conniving? Her gaslighting skills are monumental. Damian and Celine seem unable to help each other through their grief and Damian is also falling apart but in a less spectacular fashion. Celine attends Theo’s birthday party in her mourning garb and stands watching everyone else’s child play happily having only laid hers to rest weeks or even days before. Of course this makes everybody uncomfortable and Simon’s mother tries to tactfully suggest that it isn’t the best place for her, which did not go well. So, is Simon right and Alice having a paranoiac episode or is Celine plotting some sort of terrible revenge? Alice takes matters into her own hands to find out and to protect her family.

I enjoyed Mothers’ Instinct although it was a bit clunky in places. I did not see the ending coming and found it satisfactorily shocking. I loved the glamour of the film which was a remake of a Belgium film, Duelle. Chastain and Hathaway were both wonderful in their roles and complimented each other perfectly and it is refreshing to see two women take to lead.

Thank you for reading,

Samantha

Cover Photo by Myke Simon on Unsplash