This review does contain spoilers. The Substance, directed by Coralie Fargeat truly is a bonkers movie. I can’t really think of a more eloquent word to describe it. Bonkers, horrific and, in places, very funny. I haven’t see Demi Moore in a film for over thirty years when she appeared in some of the iconic movies of that era such as Ghost and Indecent Proposal . Margaret Qualley (who is the daughter of Andie McDowell) starred in the fantastic Netflix miniseries about domestic violence and poverty in America, Maid, based on the book of the same name by Stephanie Land. I heard Moore speaking on BBC Radio Four’s Women’s Hour about her role as Elisabeth Sparkle in The Substance. She was so engaging during the interview, several listeners rang in with questions and she seemed genuinely delighted to hear from them and provided thoughtful and comprehensive answers. I asked a friend if she’d like to see the film at the cinema but, annoyingly, it wasn’t showing locally so I ended up watching on Amazon Prime with a Mubi subscription.
The Substance is a commentary on aging in Hollywood. More specifically, women aging in Hollywood. Elisabeth Sparkle is a TV fitness star, she has a show where she works out, Jane Fonda style, with a team of back up dancers. On her fiftieth birthday Elisabeth, all swishy dark hair and blingy sunglasses, meets Harvey, the oily big boss at the TV network for lunch. Harvey is brilliantly played by Dennis Quaid. Harvey sits in front of Elisabeth eating a dish of shrimp in the most stomach-churning manner and explains to her that she is all washed up. He says it “stops” at fifty for women. Elisabeth asks what stops but Harvey just moves onto schmoozing with somebody more important than her. Harvey himself is as old, if not older, than Elizabeth but of course the washed-up rules don’t apply to him and his cohort of white, old men that also run the network. Elisabeth is so upset by the lunch that she crashes her car on the way home and ends up in the Emergency Room where she meets a dashing young doctor who slips a note into her pocket. This is Elisabeth’s invitation to try The Substance, a black market drug that promises a person can become the best version of themselves using some sort of cell replication process.
Now, I had no idea what to expect when I sat down to watch and it did come as something as a surprise to find that this is actually a horror film with some very graphic scenes. Elisabeth receives a list of instructions for using The Substance and one of these is Remember, you are one. Elisabeth injects herself and then the viewer is treated to her eyeballs multiplying and her back splitting open and another human being steps out of the gaping wound in the shape of Margaret Qualley. Elisabeth is left lying in an unresponsive heap on the floor.
In the scenes where Elisabeth is inspecting her aging (but, being Demi Moore, pretty perfect) body in the mirror we see her flat, misshapen bottom. Qualley, whose character settles on the rather unimaginative name Sue, has the most perfect, pert bottom in existence. In fact everything about Sue is so perfect that she seems to radiate youth and vitality through the screen. Sue sews up Elizabeth’s back and it is her turn, for the next seven days, to go out into the world. That’s how it works, Sue has a week of consciousness then Elisabeth has a week. They cannot deviate from this schedule without dire consequences. Sue dons a skimpy, shiny purple leotard, lashings of lip gloss and immediately heads to the studios to apply to be Elisabeth’s replacement. The inappropriate men auditioning all drool over her boobs and perfect buttocks and she lands the role.
Sue, it turns out, has rather impressive DIY skills and builds a concealed room in Elisabeth’s apartment so she can bring people back without them discovering Elizabeth’s comatose body. When it is Elisabeth’s turn to wake up, with a very sore back, she finds that she has been replaced by Sue in the world of TV fitness. There is a giant billboard of Sue right in front of her penthouse window, she cannot escape it. Isn’t this what Elisabeth wanted, another shot at being young and vibrant? Isn’t Sue’s success Elisabeth’s success? Sue, when awake, is thoroughly enjoying all the attention and does not remember that she and Elisabeth are one, she leaves her on the cold floor for longer and longer periods effectively stealing Elisabeth’s remaining youth from her. You may be wondering where the comedy is in all of this but there are some funny scenes. Sue’s interactions with the tongue-tied man in the opposite apartments are hilarious. When Elisabeth wakes up she finds her Louis Vuitton handbags thrown in an old box labelled Elisabeth’s junk. When Sue is doing a filmed work out strange things start to happen to her perfect behind.
There is a lot of gore in The Substance and the film just gets crazier scene by scene. Sue is offered the job of presenting the network’s big New Years Eve show but it is Elisabeth’s turn to be conscious. This is where things start to go very pear shaped to say the least. The ending is horrifying but it is also very funny. I really liked Elisabeth and it was sad that she felt so worthless because some slimy man had judged all women to be finished at fifty. She could not see the beautiful, talented woman looking back at her in the mirror, only the rejected former TV star. Sue is a more one-dimensional character, beautiful, young and ruthless.
I thoroughly enjoyed this interesting and strange film. Moore herself is famous for her multiple plastic surgeries and I think it was brave of her to be so vulnerable and exposed in this role. Qualley, a rising star, brought so much energy to her part and Sue’s desperation to hold onto her new found fame and glamour was palpable. The Substance is a little long at over two hours twenty minutes but it is well worth watching.
Thank you for reading
Samantha


