Film Review – Bridget Jones – Mad About The Boy

This review does contain some spoilers. Comedies aren’t really my favourite genre but it’s been a long winter and who doesn’t need a little cheering up at this time of year? I have seen the other films in the Bridget Jones franchise so it seemed a pity not to see how Bridget’s story ends in Mad About the Boy – directed by Michael Morris . It has been nine years since Bridget Jones had her baby and a catch-up is long overdue. My friend booked us tickets to go and see it at The Stag Theatre and Cinema in Sevenoaks. I have never seen the cinema so full, there was not an empty seat in the house and almost all of the film goers were women.

The film opens and we immediately learn that Bridget’s life hasn’t been all sunshine and roses, Mark, her husband was killed on a humanitarian mission to Sudan four years earler. She finds herself alone, in her Hampstead house, with her two young children, Billy and Mabel. The house itself would probably cost about five million pounds, I know because I looked on the website of the posh estate agent that I used to work for. If you don’t fancy a trip to London after watching the film I will be very surprised, there are no pickpockets or phone snatchers to be seen, just the most picturesque locations. Bridget goes on a date in Borough Market, I was there recently and it was horribly crowded but it’s conveniently empty for our heroine. Bridget is, of course, played by Rene Zellweger. Mark Darcy does still make appearances throughout if you are concerned about the lack of Colin Firth. I saw an interview where Hugh Grant said that there really wasn’t any logical place for his character, Bridget’s former love interest Daniel Cleaver, in this film but the writers found a way to include him when Bridget rushes to his side after he has a health scare. Grant really is a scene stealer and the film wouldn’t have been the same without him.

Bridget has been on her own for four years and her friends create an embarrassing Tinder profile for her. She is finally going back out into the world. Of course Hollywood can’t let people be single, even if they seem perfectly happy that way. Any single person must surely be feeling unfulfilled and therefore coaxed back into the dating world. Bridget returns to her previous job as a TV producer and hires an annoyingly perfect, but actually lovely nanny, Chloe played by Nico Parker. The film features a whole host of famous actors, Isla Fisher (who looks just like Moaning Myrtle in Harry Potter), Hugh Grant, Sally Phillips and Emma Thomson to name a few.

Bridget takes Mabel and Billy to Hampstead Heath where there’s an unfortunate tree-climbing incident. Although not really so unfortunate as she find two handsome men offering to help, Roxter, played by Leo Woodall and Mr Wallaker, the new science teacher at the children’s’ prep school, played by Chiwetel Ejiofor. Roxter is just twenty nine and Bridget is supposed to be around fifty. He thinks she is thirty five and she says yes, lets go with that. They have a fun romance but the age difference looms large. Mr Wallaker seems to appear, as if by magic, at the most embarrassing moments but he is clearly a caring soul. After pretending to be outdoorsy, Bridget accompanies him on the school expedition to the Lake District, another win for the English Tourist Board.

The school scenes did bring back some memories, the one mum who has to get a dig in about how you’re not quite as perfect as she is. The superior mother in this film has twins Atticus and Eros. She is organising hampers for the school raffle and Bridget fishes a half eaten pot of hummus out of her Mulberry bag as her contribution, we’ve all been there! There is a very touching scene at the end when Billy is singing and it really brought home the fact that I won’t have any more school concerts to attend for my own children.

Bridget’s wardrobe is pretty typical of private school mums. She has a Mulberry Bayswater bag which I am sure featured in another one of the films, cashmere cardigans, ankle boots, mini -but-not-too-mini skirts and dungarees. Personally I don’t think anyone over the age of five should be wearing dungarees unless they’re a painter and decorator. She also has a pair of straight Levi jeans which she wears for her visit to Hampstead Heath. For her dates she has pretty tea dresses, a denim jacket and an Anna Hindmarch woven bag. You could pretty much replicate her entire wardrobe with a quick order from White Stuff and Boden. Crew Clothing have this pretty teal cord mini-skirt which is a near match for Bridget’s. One thing Bridget doesn’t appear to be acquainted with is a hairbrush for some reason and she looks fairly dishevelled most of the time.

I doubt author Helen Fielding realised what a success her scatter-brained creation would be when she wrote her column in The Independent in 1995. The first book was published in 1996. Bridget Jones – Mad About the Boy is great fun, beautifully shot and very moving. Not so many laughs as the earlier films and Bridget isn’t quite so hapless which is probably just as well seeing as she is in charge of two small children. One girl sitting behind us left the cinema sobbing – you have been warned!

Thank you for reading,

Samantha

Cover Photo by Myke Simon on Unsplash

Film Review – Babygirl

This review does contain some spoilers. I went to see Babygirl at The Stag Theatre and Cinema in Sevenoaks. My daughter had already seen it and said “Mum, I can’t imagine it will be your cup of tea at all”. I went with a friend whose daughter said the film is porn, “it’s not porn” I said, “as if Nicole Kidman would appear in porn”. Well my friend’s daughter was right, it really is soft porn. The film, directed by Halina Reijn, stars Nicole Kidman as Romy, a fifty something CEO of a robotics company. Romy is married to Jacob, played by Antonio Banderas, they have two daughters. Nora, who is still a little girl and Isabel who is a teenager and in a lesbian relationship. Isabel, played by Esther McGregor, was my favourite character in the film, she was insightful and compassionate. They all live in a fabulous apartment but also have a mansion in the country for weekends and holidays.

The film opens with a filmed upside-down sex scene between Romy and Jacob. As soon as they have finished Romy scurries away from the marital bed, furtively opens her laptop computer and writhes on the carpet whilst masturbating to porn. It transpires that she has been faking it with Jacob for their entire marriage. That pretty much sets the tone of the film.

We learn that Romy is super-stressed with an upcoming deal at work. She rushes off to work leaving Jacob, a theatre director, in charge of the children’s schedules On the way to the office she encounters a dog attacking a fellow pedestrian. Terrified she retreats but the dog lunges towards her. Suddenly, a young man appears and instantly calms the dog. Romy continues into the office where her PA asks if she would like to meet this year’s crop of interns. The interns are ushered into Romy’s office and, surprise, surprise, one of them is the young man, Samuel, played by Harris Dickinson. He immediately asks an insolent question about the ethics of the business and the PA brings the introductions to a hasty close. It is clear that Samuel is confident and very bold. There is a mentoring scheme in place for the interns and Samuel informs Romy that he has chosen her for his mentor. Unaware that she was even on the list she tries to make excuses but a ten minute meeting is scheduled and this is when things begin to get… heated.

Samuel is thirty years younger than Romy but oozes self-assurance. She may be the boss at work but definitely not in the bedroom. He makes it clear that she must do what he tells her. This is where things get a little silly . Romy finds herself on all fours lapping at a saucer of milk. She is sent to stand in the corner like a naughty child. Romy attends a rave dressed in an amber silk pussy-bow blouse and immediately young girls start pawing at her, the blouse comes off. She finds Samuel in the heaving crowd with no trouble and does not seem in the least bit perturbed about being the oldest person in the room by three decades. In real life people would have been wondering whose mum had turned up to take them home.

Although the relationship is entirely consensual there is, of course, a power imbalance and if Romy thinks she can just walk away from the relationship when she chooses she is sorely mistaken. Everyone at her company seems to be capable of blackmail and she is terrified of losing her position and her family. She immerses herself in her affair but it is safe to say that there isn’t a happy ending for Samuel and Romy. However, she finally finds herself able to open up to Jacob about her desires. Disgusted and embarrassed, he tells her to get out of their home. She simply goes to their other spectacular home, the outside of which is all lit up by fairly lights as if it had been expecting her.

Romy has the same uptight air that Kidman’s characters always seem to have. She reminds me somewhat of Julie Andrews playing Mary Poppins, I think it is her toes turned out walk. She struts through the city streets in a wardrobe that could have been borrowed from any of the films/tv productions I have seen her in recently. Kidman is of course still exceptionally beautiful but in one scene Samuel describes Romy as not being girlfriend material because she looks like a mother. Of course men have relationships with women decades younger than them all the time and nobody really bats an eyelid except to predictably suggest it is transactional on the woman’s part.

There were only six of us in the cinema and most people let at an embarrassed laugh at one point or other. I was slightly surprised that Kidman, a huge star, signed up for something so explicit. Babygirl is provocative, raunchy and fairly entertaining but my daughter was right, it wasn’t really my cup of tea.

Thank you for reading,

Samantha

Cover Photo by Myke Simon on Unsplash